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Meitei: Komachi

‘Komachi’ is the producer’s beatific ode to his recently passed Grandmother, a woman he saw as representing a traditional Japanese sense of beauty, sophistication and tranquility that is gradually disappearing.

Shlohmo: The End

Shlohmo’s third album is an elevation of his mood-driven beats from beyond the realm of introspective headphone listening, to a level of gravitas and urgency that demands a larger space than your skull to reverberate into.

Smallpeople: Afterglow

Smallpeople deliver gorgeous bridges between lofty house and vibrant dance floor burners, a way to celebrate life, providing give-a-toss who’s watching me dance music.

Kilchhofer Anklin: Moto Perpetuo

‘Moto Perpetuo’ tends to blur the lines between musical composition and studio production. By crafting pieces that rely on the entire stereo field, Kilchhofer Anklin rewards close listening.

Mikron: Severance

‘Severance’ is an accomplished and compelling listen, exploring twilight territories set in both the past and future, a technique Mikron have perfected here. Once again, that black and white logo and the brothers Corcoran deliver the goods.

Silk Road Assassins: State Of Ruin

Silk Road Assassins have unlocked the inherent but underused therapeutic properties of trap and grime production, refined to the point of purity and elevate their value to the point of becoming music that can sit comfortably alongside any contemporary sub-genre of electronica.